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50 Years of Analogue Photography 1950 - 1999
21 September - 4 October 2026
Gallery 46
46 Ashfield Street,
London E1 2AJ
Photographic exhibition of 70+ works bringing together some of the finest portrait work made in camera and in the darkroom over 50 years, showcasing the artistry of 40+ photographers working with film including Eve Arnold, David Bailey, Nan Goldin, Angus McBean, Sebastião Salgado and Andy Warhol.
Curated by David Edmunds, Zelda Cheatle, and David George.
PV: Thursday 24 September 6 - 9 pm
Panel & PhotoMonth Launch:
Saturday 3 October 5:30 pm

Rocket's 15th solo show of works by the late Martin Parr
25 September – 31 October 2026
Rocket Gallery
Unit 6B, 4-6 Sheep Ln,
London E8 4QS
Photographed in the height of the Thatcher era, between 1983 and 1985, in New Brighton, Merseyside, The Last Resort remains one of the defining bodies of work in contemporary photography. Parr’s shift into colour photography marked a significant shift in British documentary photography, particularly for his use of direct flash and saturated colour. Focusing on historical Fujicolour C-type photographs printed from the original negatives, this exhibition presents the series in its original photographic form for the first time in decades.
PV: Thursday 24 September 6 - 8 pm
Open: Thurs/Fri/Sat 2 - 6 pm

1 – 4 October 2026
Bourbon Studio
Unit 1, Hardess Studios
London SE24 0HN
Showcasing projects by four different artists, including Joe Giacomet's Cigar Sanctum, a series of studio portraits of the cigar smokers at the Chelsea Arts Club—a creative community of painters, writers, photographers, and others, established in the 1890s.
Alongside the exhibition, a film night will feature a selection of short films and an exclusive preview of the forthcoming documentary Dirty Squatters, followed by a Q&A with its producer, Aaron Trinder. The following day will feature live performances by sound artist Ellis Berwick, The Roofcats Unplugged, and a selection of DJs.
Works by Joe Giacomet, Jack Boniface, Lucy Onishchenko and David Whyte. Curated by Joe Giacomet.
Open: Thursday 1 October 7 - 11 pm
Friday 2 October 6:30 pm - Late
Saturday 3 October 12 pm - Late
Sunday 4 October 12 - 6 pm
Film Night: Friday 2 October
Live Performances: Saturday 3 October

A post-lockdown group portrait in the analogue photobooth
1 – 11 October 2026
Museum of Youth Culture
100 Royal College Street,
London NW1 0TH
Created in 2021 and 2022, Together-Apart captures a moment when student life was gradually returning to campus after the isolation of the pandemic. At Goldsmiths School of Design, students came together through an analogue photobooth to create a collective portrait. Because the booth could only be used in person, the photographs became records of returning to campus, reconnecting and being together again.
The exhibition will be accompanied by a book bringing together stories, memories and recollections from this period. The publication reflects on the importance of community to creative work and everyday life, preserving the experiences and connections behind the photographs.
Book Launch: Thursday 1 October 6 – 9 pm
Open: Wed – Sun 11 am - 6 pm

Beatrice Keelan
1 – 21 October 2026
FUSEBOX
2, Buckland’s Wharf, Thames Side
Kingston upon Thames KT1 1TF
As I Walked tells the story of an unnamed narrator travelling through a strange landscape. Moving through this nonsensical world, they try to pinpoint the source of an unbearable, elusive
longing. They wander, seemingly directionless, guided only by the laconic characters they encounter and a sun that refuses to set.
This exhibition draws on black-and-white photographs from the artist’s collection. Detached from their original subject and meaning, the images are recontextualised in a narrative that blurs fiction and memory. Taking the visual form of maps or surveillance footage, they become documents of the scattered world this narrator inhabits.
Open: Wed – Fri 12 pm - 7pm

Violeta Sofia
1 – 30 October 2026
Winston Taylor head office
5 New Street Square
London EC4A 3TW
Violeta Sofia’s work brings the tradition of floral still-life into a contemporary photographic language.
Historically, many still-life paintings brought together flowers that could never have bloomed at the same time, creating imagined arrangements that existed beyond a single season or moment. Violeta draws on this tradition through theatrical photographs that combine photography and painting. Blurring the boundaries between still life and portraiture, her compositions bring together elaborate floral arrangements, richly textured fabrics, artifacts and saturated colour. Influenced by the visual language of Old Master painting while firmly rooted in the present, the works explore transformation, self-acceptance and the ways different cultural references can coexist within a single image.
Curated by Ryan Monro.
Open: Mon - Fri 10 am to 5 pm by appointment with the artist

Curated by Vali Mahlouji | Archaeology of the Final Decade
1 – 31 October 2026
Ragged School Museum
46-50 Copperfield Rd, canal side,
London E3 4RR
Returning to the Ragged School Museum, Mahlouji brings together still and moving images produced under conditions of rupture, displacement, exhaustion and repetition. A Geography of Siege understands siege not simply as a military or political event, but as a mode of organisation that extends beyond territory into language, intimacy, architecture, and the symbolic structures through which subjects orient themselves within the world.
"What cannot be assimilated does not simply disappear. It returns. Here, this persistence is understood as haunting. Haunting is not recollection; haunting belongs to the present".
Works by Goshka Macuga, Jananne Al-Ani, Edmund Clark, Hrair Sarkiss, Tarlan Lotfizadeh, Vali Mahlouji, Tahmineh Monzavi, and Simon Moretti.
Open: Wed - Sun 10 am - 5 pm

Audrey Ni Ruorong
Iris Jingyi Zeng
Xinyu Huang
2 – 4 October 2026
Photobook Café
4 Leonard Circus,
London EC2A 4DQ
As the world around us continues to change, how do we understand where we belong? Through photography, three artists explore the ways we navigate our relationship with place, landscape and ourselves. Moving between reconstructed spaces, repeated journeys through forests and the experience of the individual as a wilderness, the works consider how our sense of place is shaped not only by the environments we inhabit, but also by perception, memory and lived experience. Together, they invite audiences to reconsider the ways we locate ourselves in an ever-changing world.
Curated by Alice Luo (Ya-Hsin).
PV: Friday 2 October 6 - 9 pm
Open: Friday 2 October 6 - 10:30 pm
Saturday 3 October 10 am - 10 pm
Sunday 4 October 10 am - 2 pm

Estelle Vincent
2 – 16 October 2026
South London Botanical Institute
323 Norwood Road,
London SE24 9AQ
Botanical Collaboration: Nature in Progress brings together a selection of works using botanical and earth-based materials as active elements within the image-making process. Rather than simply depicting plants, these works are created in collaboration with them through processes including botanical cyanotype toning, plant-based photographic chemistry, souped film and soil chromatography. Using locally sourced and home-ground plants, soil and alternative photographic processes, Vincent demonstrates how image-making can be shaped by naturally occurring materials, highlighting the artist's exploration of more sustainable ways of practising analogue photography.
PV: Friday 2 October 5:30 - 7:30 pm
Open: 9 and 16 October 5:30 - 7:30 pm
Cyanotype Workshop: Saturday 3 October 10 am - 2 pm

Sue Parkhill
2 – 24 October 2026
Brady Art Center
192-196 Hanbury Street,
London E1 5HU
A blend of memories, fragmented thoughts, and sensory details, Travels with my Aunt Adele presents a visual, meandering retelling of photographer Sue Parkhill’s journey around Ireland alongside her beloved travel companion, Adele. The photographs in this series function as a form of storytelling, paying homage to the artist’s familial history in Ireland, the country’s folklore traditions, as well as Aunt Adele’s status as a lifelong educator, reader and storyteller.
Open: Mon - Fri 9 am - 7 pm, Saturday 10 am - 4 pm

David George
2 – 18 October 2026
kollectiv
69 The Old High St,
Folkestone CT20 1NR
Past Imperfect is an eighteen-year photographic journey through the English landscape. Spanning 2008 to the present day, the exhibition presents more than forty photographs and gravures by David George. The artist originally attended college to train as a painter before turning to photography, and his interest in painting remains evident in his practice. Several series in the exhibition engage with nineteenth-century aesthetic ideas—such as the Sublime, the Romantic Pastoral and the Uncanny—and show a strong affinity with painters including Joseph Wright of Derby, Caspar David Friedrich and Albert Böcklin.
Over the past decade, much of George's work has brought together classical and Romantic qualities, allowing elements often regarded as oppositional or mutually exclusive to coexist. In these images, truth and beauty are held together rather than set against one another.
Open: Mon/Wed/Thu/Fri 8 am - 2 pm / 5 pm - 8 pm
Tue 8 am - 2 pm
Sat and Sun 10 am - 8 pm
PV: Friday 2 October 6:30 - 9 pm

3 October 2026 – 28 March 2027
William Morris Gallery
Lloyd Park, Forest Rd,
London E17 4P
Earthly Paradise: Radical Living in the UK is a major touring exhibition that explores the people and places that have helped shape art and activism across Britain over the last 200 years. Through objects, painting, drawing, photography, sound and archival material, Earthly Paradise highlights individuals and communities that defied contemporary conventions and the homes they created to explore their new visions of society. The exhibition considers the role that money and class have played in providing access to these spaces and the freedom to challenge social norms. It traces the roles activist groups and those excluded from and overlooked by mainstream society have played in imagining new ways of living and seeing the world.
Open: Tue - Sun 10 am - 5 pm

Daragh Drake
4 October – 8 November 2026
Croí
Unit 14, Gransden Ave,
London E8 3QA
Angelus uses the distinct visual language of the daily broadcast of The Angelus on RTÉ, Ireland’s national broadcaster.
This short film and photography exhibition is made with the intention to bring attention to the campaign to stop the construction of a housing development at Bessborough, the last Mother and Baby Home to close in 1998, through representing the lived experience for those who suffered within its walls. It aims to raise awareness for the missing children and mothers along with the continued failings of the state in addressing historical crimes and its perpetuation of suffering.
PV: 4 October 2026
Open: By Appointment

Barry Lewis
5 October - TBD 2026
The Source
Theatre Square,
London E15 1BX
Raised in London, seaside holiday photographer Barry Lewis describes his family trips to the south coast as some of his earliest memories: "miles of sandy beaches with donkey rides, 3 piers, a huge fun-fair, a mile-long promenade full of fortune-tellers, pubs, fish-and-chip shops, and the famous illuminations."
This project captures the epitome of the British at play, where everyone’s guard is down and pleasure is ruthlessly pursued. Holidays on the south coast are for letting your hair down, letting go, falling in love, meeting new people and trying new experiences in a safe setting. There is the “otherness” of the miles of sand and empty sky where everyone is a stranger, and for that short time, both marauding seagulls and photographers are accepted and even enjoyed, especially after a drink!
Open: Mon - Fri 9 am - 8 pm, Saturday 10 am - 6 pm

Aldo C Gagliardi
7 – 10 October 2026
Jealous Gallery and Print Studio
53 Curtain Road,
London EC2A 3PT
PLAY is a body of abstract photographic works, presented as a numbered series of 50 × 50 cm archival prints and published as a photobook. Across the project, analogue and digital photography are brought into friction through processes of juxtaposition and deconstruction: image against image, memory against invention, the screen against the lived moment. What remains is not a reconstruction of an original image, but the visual and conceptual charge of a negative afterimage. In this series, corrosion functions less as a decay than as a form of sculpting. The same erosion that strips away a surface may also expose what lies beneath it. Each intervention moves the image further from its origin and closer to a subjective register in which memory, projection and material transformation become inseparable.
Curated by Barbara Martorelli.
PV: Thursday 8 October 6:30 - 8:30 pm
Open: Mon - Sat 10 am - 6 pm

Steve Ferrier
A visual document to the Giant Redwood family living and breathing throughout London
14 October – 1 November 2026
Redwood Cafe
Swan Lane Open Space, Whetstone
London N20 0PR
Sequoia City will show these trees that are so emblematic of the American west coast are living amongst us, not just in parks, but on urban streets and across the outer suburbs.
Using work from two recent projects, Sequoia Street - a study of the giant redwoods of Canon’s Drive in Edgeware, and 18 Holes to Fill: Whitewebbs - a study of the rewilding of a public golf course (this park was very recently saved by judicial appeal against Tottenham Hotspur’s planning proposal). If successful the exhibition will be added to with new work showing redwoods on our streets and housing estates.
Open: Wed - Sat 9 am - 5:30 pm

Works by Cat Phillipps, Kristian Buus, Peter Kennard, and Jenny Matthews. Curated by Robyn Anika.
8 – 18 October 2026
Praxis N16 studios
First floor, 3-9 Belfast Rd,
London N16 6UN
Planet Earth is ruled over by psychopathic tyrants, oligarchs and corporations. A ghastly Silicon Valley is watching our every move, selling back to us their rubbish through our algorithms. So it goes is an attempt to make work that engages with the arms trade, climate emergency, Sudan, Afghan women, Palestine and protests by the peoples of the world who are fighting back against the monsters of destruction whose greed, indifference, desolation, and death in the name of ‘the market’ fill our censored screens.
PV: Thursday 8 October 6 – 9 pm
Open: Mon – Fri 11 am - 2 pm, Sat and Sun 11 am – 5 pm
Finissage: TBC

Curated by Mark Sealy and Bindi Vora.
8 October 2026 – 13 February 2027
Autograph
1 Rivington Pl,
London EC2A 3BA
Our Bodies Have Been Bridges brings together the work of three feminist artists from across the Americas whose work centres the body.
Laura Aguilar, Tarrah Krajnak, and Koyoltzintli each use their body to bridge personal and collective memory, indigenous knowledge, and relationships to the land in their own distinct ways.
Together, their work forms an intergenerational conversation about how the past is carried through the body. Photography becomes an act of resistance – insisting that the politics of the body cannot be separated from the politics of the image.
PV: Wedesnday, 7 October 6:30 – 8:30 pm
Open: Wed/Fri 11 am - 6 pm
Thursday 11 am - 9 pm
Saturday 12:30 pm - 6 pm
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Curated by Bindi Vora.
8 October 2026 – 13 February 2027
Autograph
1 Rivington Pl,
London EC2A 3BA
The exhibition will debut 22 never before shown works by Charan Singh and commissioned by the Autograph, portraying Hijra, Kothi and trans people – acknowledging their agency as individuals and their shared histories. These studio portraits are drawn from long-standing relationships Singh formed through more than two decades of HIV/AIDS advocacy and community organising.
The terms Hijra and Kothi refer to experiences of gender, identity and ways of life rooted in South Asian cultures that do not have direct English equivalents. For many Hijra, identity is connected not only to gender but also to shared traditions, cultural practices and socialties. Depending on the context, Kothi may speak to the ways gender, sexuality, desire and social relationships are expressed and understood.
These new portraits affirm ways of belonging that existed long before colonialism, centring the sitters’ right to define how they are seen, represented and understood.
PV: Wedesnday, 7 October 6:30 – 8:30 pm
Open: Wed/Fri 11 am - 6 pm
Thursday 11 am - 9 pm
Saturday 12:30 pm - 6 pm

9 – 18 October 2026
Gallery 46
46 Ashfield Street,
London E1 2AJ
Solo exhibition presenting a decade of Lou Melchior’s photography, bringing together images that oscillate between the familiar and the unknowable. Melchior captures the incidental overlooked object, the passing shadow, and the fragment of everyday life, and quietly turns them against themselves revealing a world at once intimate elusive and faintly absurd. The Van the Sock and the Shadows invites us to reconsider what we believe we recognise and to consider the strange solitude that lies within our shared experience.
PV: Thursday 8 October 6 – 9:30 pm
Open: Tue – Fri 12 - 6 pm, Sat and Sun 1 pm – 6 pm

Works by Wei Jian Chan, Sally Itani, Chanelle Joseph, Amir Lodge, Sergey Novikov, Sophie Polyviou, Nick Sheridan, Anya Shilonos, Marianna Silvano, Miguel Souto, and Ed Taylor.
Curated by Katy Barron.
13 - 17 October 2026
Photofusion
2 Beehive Pl,
London SW9 7QR
Driven by a shared documentary ethos, Vicinity Hub Collective's Outer Capital actively pushes the boundaries of traditional reportage. This body of work uncovers a rich, layered tapestry of London's ever-changing profile, capturing the distinct social, cultural, and economic milieus that coexist across its outermost edges.
By moving beyond standard representations of the urban centre, these images illuminate the quiet waves of transition, community resilience, and architectural evolution transforming everyday neighbourhoods.
PV: Thursday 15 October 6 - 9 pm
Open: Tue - Sat 10 - 6 pm

Amanda Eatwell
13 - 31 October 2026
Vintiners Framers
24 Crouch End Hill,
London N8 8AA
Amanda Eatwell observes her mother as the conduit to communicate ideas about the various stages of a female’s life, combining new photographs, selections from her family album, and interviews with her mother, alongside factual data about the lived experiences of women. The artist additionally incorporates paraphernalia and personal items in the gallery to curate a distinctly "feminine space", highlighting the meaningful emotional ties that form in association with objects in the home.
Open: Mon - Sat 9:30 am - 5 pm

14 October 2026 - 21 February 2027
Tate Modern
Bankside
London SE1 9TG
Light and Magic is the first major exhibition to explore pictorialism as a global movement. Discover how artists became pioneers of the darkroom, transforming our understanding of photography and image making.
Bringing together over 200 rare prints by over 80 artists from Seoul to Sydney, New York to Cape Town and Brazil to Singapore, this truly international exhibition takes a fresh and inclusive look at the history of photography.
Featuring never-before seen works from around the world alongside pieces from Tate’s Collection, Light and Magic highlights the vast and varied artistic possibilities of photography as a medium.
Open: Sun - Thu 10 am - 6 pm, Fri and Sat 10 am - 9 pm

14 October 2026 - 21 February 2027
The Photographers' Gallery
16-18 Ramillies St,
London W1F 7LW
Largely unseen, Colour Years will present Sanlé Sory’s colour photography for the first time in the UK. One of West Africa’s most prolific photographers, Sory took more than a million portraits over seven decades, showing the profound social and political changes in Burkina Faso.
Better known for his black-and-white studio photography of the 1960s and 70s, Colour Years captures a more recent and lesser-known chapter of the artist's career, presenting meticulously restored colour prints from his archive alongside Volta Jazz record covers featuring his portraits of the influential bands that flourished after Burkina Faso’s independence.
Colour Years reveals a dynamic portrait of a rapidly changing community and society in Burkina Faso across decades of political shifts, global exchange and self-expression through fashion, music and attitude.
Curated by Taous Dahmani.
Open: Mon – Wed & Saturday 10:30 am – 6 pm
Thu – Fri 10:30 am – 8 pm
Sunday 11 am – 6 pm

14 October 2026 - 21 February 2027
The Photographers' Gallery
16-18 Ramillies St,
London W1F 7LW
Through photographs and archives, Snap Happy! celebrates the creativity, curiosity and distinctive perspectives of generations of young photographers.
Do you remember your first camera? Or the first photograph you took? This exhibition explores the history of children as photographers – and what happens when a camera ends up in a child's hands. From post-war camera clubs to the magazines, comics and photobooks designed for young people, the exhibition traces photography's movement from elite pastime to accessible and much-loved hobby.
Curated by Annebella Pollen.
Open: Mon – Wed & Saturday 10:30 am – 6 pm
Thu – Fri 10:30 am – 8 pm
Sunday 11 am – 6 pm

14 October 2026 - 21 February 2027
The Photographers' Gallery
16-18 Ramillies St,
London W1F 7LW
Celebrating the 50th anniversary of William Eggleston's landmark exhibition and book William Eggleston's Guide (1976), this major exhibition will look at Eggleston's legacy, influence and 60-year career.
A pioneer of colour photography, Eggleston is renowned
for combining everyday observation with an intuitive sense of colour and composition. All That Goes Unnoticed brings together many of his iconic works, alongside lesser-known images. Declaring himself as ‘at war with the obvious’, Eggleston’s democratic way of seeing redefined colour photography and transformed how the ordinary could be represented.
These classic photographs expose the underlying cracks of the American Dream – alienation, loneliness, desire – simultaneously seductive and lurid, tense and revealing. Seen today, 50 years after their original publication, in a time when images are constantly produced and circulated, Eggleston’s photographs offer a slower, more attentive way of looking. A way of making the ordinary extraordinary.
Open: Mon – Wed & Saturday 10:30 am – 6 pm
Thu – Fri 10:30 am – 8 pm
Sunday 11 am – 6 pm

Seamus Murphy, photographs from Kolkata
Curated by Zelda Cheatle.
14 - 25 October 2026
Arts Pavilion at Mile End Park
Clinton Rd, Bow,
London E3 4QY
In Bengali, the word para (পাড়া) means a neighbourhood, locality, or community. But in Bengali culture, a para is more than just a place. It is a tight-knit social circle where neighbours share deep bonds, local festivals, afternoon gossip (adda), and community events.
"In a city that’s constantly coming apart, breaking away, and remaking itself, Seamus Murphy’s camera uncovers a calm, deeply moving formalism. But he is also pointing to the generation of unexpected patterns and visual harmonies in a city that has in many ways lost touch with that history. It’s as if Calcutta, unaware of itself as anything but terrain and habitation, continues to create, inadvertently, new fields of line, movement, and colour."
Amit Chaudhuri
PV: Thursday 15 October 6 – 9 pm
Open: Everyday 11 am – 5 pm

14 - 25 October 2026
Arts Pavilion at Mile End Park
Clinton Rd, Bow,
London E3 4QY
This year's PhotoMonth Open Call Exhibition, Unity and Community, brings together photographs by 21 artists from all around the world, and is a response to drastic regression toward division and discrimination seen in cities all across the globe and, significantly, London. Photograph Arts believes that London's greatest strengths as a cultural and artistic hub is the creation and preservation of community by all people that find a home here. Given that PhotoMonth was founded on the belief that photography is for all, we aim to uphold these values and represent diverse communities and perspectives, reflecting the divergent cultures, practices, and people that make up the city.
This exhibition is produced by Photograph Arts and curated by Ishy Pryce-Parchment, Tom Hunter, Cherelle Sappleton, and Leah Mclaine.
Participating artists:
Alex Robertson • Corinne Quinn • David Boulogne • Heun Jung Kim • Igor Zelenov • Iyesogie Ogieriakhi • Jeremy Skirrow • John Hartley • Julio Etchart • Kevin You • Lia Cordery • Mamu Unu • Megan Taylor • Nahwand Jaff • Neil Martinson • Ravi Madan • Tarlan Lotfizadeh • Tianqiutao Chen
PV: Thursday 15 October 6 – 9 pm
Open: Everyday 11 am – 5 pm
Portfolio Reviews: Saturday 24 October

15 - 20 October 2026
House of Annetta
25 Princelet Street,
London E1 6QH
Portraits: Lucinda Douglas-Menzies is a retrospective exhibition celebrating four decades of black-and-white portrait photography by Lucinda Douglas-Menzies, created between 1978 and 2025.
Working exclusively in black and white, Douglas-Menzies strips away distraction to reveal the character, dignity, and individuality of her sitters balancing formal elegance with remarkable
intimacy. Her preferred approach is to photograph her subjects on location, incorporating elements of their personal surroundings into the background. This contextual dimension creates a
dialogue between the sitter and their environment, offering viewers a deeper understanding of each subject. This retrospective not only celebrates her artistic achievement but also offers an opportunity to reflect on the rich cultural history embodied within her extraordinary archive of portraits.
Open: Thu - Sun 10 am - 6 pm
Monday and Tuesday 10 am - 4:30 pm
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Jenny Lewis
16 October – 16 November 2026
Autofoto Studio
39 Gransden Ave,
London E8 3QA
This is the latest iteration of artist Jenny Lewis’ Mutinous Bodies project, reflecting on the experience of autoimmune diseases by using photography to uncover what's often hidden from view. Since January 2025, Lewis has invited people to talk about their lived experiences, and use the intimate space of the photobooth to confront themselves. She then translated a series of these portraits into photopolymer etchings, playing with time-based work and expanding the language of photography to hold the emotional weight of disrupted lives. A selection of these works are on display across the windows of the Autofoto Studio.
Set within the set space of the Autofoto workshop, The Workshop Show is an invitation to untangle and share the burden of chronic illness, using an Autofoto analogue photobooth. The mechanical and analogue processes of this machine are perfect collaborators, arbitrarily glitching and malfunctioning; reflecting the unreliable bodies inside. The resulting portrait strips will then be annotated to reveal family histories of hereditary conditions, increasing visibility, and deepening public understanding of invisible illnesses. Lewis encourages participants to add their portraits and experiences to this evolving body of work.
Jenny will be running four workshops:
16 /17th October 1-6pm and
6/7th November 1-6pm
Access the RSVP link on our 'Events' page, or just show up
PV: Friday 16 October 6 - 8:30 pm
Open: On workshop days
And always visible in AUTOFOTO's window

16 – 31 October 2026
The King’s Canary at the TJ Boulting building
59 Riding House Street, Fitzrovia
London W1W 7EG
Showcasing works by Jonathan Turner and Adam French, a specialist in early photographic processes, SALON includes 10x8 inch wet collodion tinplates and prints made from X-ray film stock using a mid-19th century camera, co-created in and around the historic TJ Boulting building and its neighbouring housing blocks, with local residents, visitors and supporters of Community Interest Company Fitzrovia Noir.
SALON continues Fitzrovia Noir’s practice of working and exhibiting in non-gallery locations, here presenting the W element of the three year programme SE.E NE.W Histories that uses the cipher of postcodes to represent locations of this nationwide creative learning project.
Curated by Garry Hunter and Graham Carrick.
PV: Thursday 15 October 6 - 9 pm
Open: Tue - Sat 11 am - 6 pm
Speaker Event: Saturday afternoon 31 October (TBC)

A collaborative heritage project between photographers and curators Andrew Saunders and Garry Hunter.
17 - 27 October 2026
SS Robin pontoon, Trinity Buoy Wharf
64 Orchard Pl,
London E14 OJW
As the first tranche of a longterm research and outreach programme, Náutica unearths a small selection of the 80 million analogue images stored in the Getty Archive by the Lower Lea in east London where only 2% of this historical collection has so far been digitised.
Exhibited within the vast pontoon that supports the Victorian steamship SS Robin - the only vessel of its class still fully intact - this investigation reveals documentation of shipbuilding on the River Lea in the latter half of the 19th century, right where Robin was built, here in 1889-90. As this project develops, more long-unseen imagery of other key shipbuilding sites will emerge, as well as the European ports Robin visited.
Open: 17 - 18 and 26 - 27 October 11 am - 5 pm. Other times may be booked by appointment: home@fitzrovianoir.com

20 - 23 October 2026
A to B Gallery, UAL Camberwell College of Art
45-65 Peckham Rd,
London SE5 8UF
Transition II brings together a selected group of works that reflects the breadth of contemporary photographic practices emerging from the courses at UAL Camberwell College of Art. Showcasing approaches that challenge and expand the medium of photography, the exhibition will feature works spanning expanded photographic practices, lens-based experimentation, analogue processes, installation and moving image. Together, these works demonstrate the diversity of material, conceptual, and technical approaches that define photography today while highlighting the innovative practices of emerging artists.
Works by Guanxueying (Ciki) Cheng, Anna Cunningham, Honorata Hryciak, Aurora Karati, Yifan Ling, Inidianna McGrath-Clarke, Scarlett Northern Phelan, Yuhan Wang, and Zhenyao Wang.
Curated by Chrystel Lebas and Dafna Talmor.
Photo credit: Anna Cunningham.
Open: By appointment, Tue - Fri 11 am - 5 pm

Mariia Antipina
22 - 25 October 2026
Hackney Gallery
1 Lower Clapton Rd,
London E5
Symbiosis is about how, when we find our true person, it is not the kind of love written about in books. Antipina writes: "All my life, I believed that the love shown in books and movies didn't exist. [...] It was always intense, fast, and incredibly exhausting, and at some point, I decided that love just wasn't for me." But after meeting her husband, Antipina realized that real love does exist and is different than what we are presented with in the media.
This photo series demonstrates the artist's newfound understanding of love following psychological trauma experienced in romantic relationships. Her work presents love as a healthy union: two people walking through life hand in hand, accepting each other’s flaws and virtues—a demonstration of two adults in symbiosis who feel whole both together and apart.
PV: Thursday 22 October 7 - 9:30 pm
Open: 23 - 25 October 12 - 6 pm

Immo Klink
23 October – 22 November 2026
Numbers Wine
63 Vyner Street
London E2 9DQ
The Victoria's Trees project began last winter as a photographic exploration of the trees in Victoria Park, set against the London night sky. Initially conceived as a gift for Klink's partner, whose middle name also happens to be Victoria, the project was intended to offer a sense of solace during the harsh winter months after her moving from the south of France to London.
As the project evolved, Klink's attention to the park grew intertwined with his own precarious experience in the free-fallng creative industry. The artist spent his days working as a delivery cyclist, returning to the park at night to process the observations he accumulated during his rides. Klink found that the majestic bare branches of the Victoria Park trees kept pulling him back. It was here that he found a stable, permanent state of calm.
PV: Thursday 22 October 6 - 9 pm
Open: Thu 4 - 8 pm, Fri 4 - 9 pm, Sat 12 - 4 pm, and by appointment
PV/World Tree Day closing event: Saturday 21 November

Curated by Marisa Bellani
23 October – 11 December 2026
Beyond Studio
69 Roman Road,
London E2 0QN
Beyond Studio is proud to present OMOETHERIA, the first ever exhibition by Alexios Seilopoulos. The Greek photographer and video artist gives us his version of Athens through his writing, photographs and a film shot between 2024 and 2026, as the first installment of a larger film and research-based project about homecoming.
OMOETHERIA is a commentary born from the artist’s experience of returning to a country he no longer recognised. Having left Greece at eighteen to live in London and returned twenty years later, the work reflects on the profound transformations that have reshaped both the city and the lives of its queer community. The title refers to a homoerotic culture that increasingly exists only in the ether as Athens’ urban landscape changes, with spaces of gathering and belonging disappearing under the pressures of financialisation and homogenisation.
PV: Friday 23 October 7 - 9 pm
Open: Thursday and Friday 10 am - 6 pm
Sat - Wed by appointment

Zina Ona
23 – 31 October 2026
Art Practice Gallery
148-150 Curtain Rd,
London EC2A 3AT
Presentation of self in every day life explores the relationship between memory, place and performance through documentary and staged photography, moving image and installation. At its centre, the project is an ongoing return to Zina Ona's hometown in Lithuania: a process of revisiting places from childhood, tracing what has disappeared, what has remained, and what can no longer be recovered.
Born not long after Lithuanian independence, Ona grew up within the remnants of a political and social order that had formally ended but continued to shape the landscape around her. The places of her childhood have since been demolished, rebuilt or transformed, and only fragments of an obscured family history have remain. Following a process of repetition, Ona investigates how a place is encountered first as childhood memory, then revisited as an adult and photographed as a document, before being reconstructed in the studio and photographed again.
PV: Thursday 22 October
Open: Mon - Fri 11 am - 4 pm

Works by Chandni Raithatha, Demelza Okwan, Jasmine Sandhu, Tati El Mallah and Soumia Sadoun
28 October 2026 only
Photobook Café
4 Leonard Circus,
London EC2A 4DQ
From Home to Home is a collective photographic publication created as part of The Photographers’ Gallery Develop Programme. The project is now being developed into an exhibition, bringing together the photographic works, conversations, and personal narratives from the publication within a shared physical space.
The publication explores the experiences of five young women from different diasporic backgrounds living in London. Through personal reflections, the artists consider how migration, family histories, and cultural connections shape ideas of home and belonging. Their individual stories are situated within the wider communities shaped by migration that make up one of the most diverse cities in the world, exploring both the intimacy of physical homes and the emotional spaces where a sense of belonging is created.
Rather than approaching diaspora solely as a subject of study, From Home to Home presents it as a lived experience shaped by movement, memory, relationships, and inherited histories. Through personal archives, contemporary photographic practices, and storytelling, the project explores how experiences of migration are carried across generations, and how ideas of home are continually formed, challenged, and reimagined.
Open: 6pm

Oliver Woods
29 October - 1 November 2026
Host of Leyton
658 High Rd, Leyton
London E10 6JP
“You are my one and only” are words that photographer and visual artist Oliver Woods would hear from his mother growing up. Though these words of love also bore a weight of great loss. After the artist’s younger brother and sister passed away as infants from a rare genetic condition, Woods turned to his childhood home to better understand his parents’ grief and to untangle his own emotional web.
For this project, the artist sifted through objects, archives, memories, and dust in order to wholly capture the place he grew up, documenting everything from family heirlooms to dirt analysed under an electron microscope. In photographing the house, Woods aimed to examine everything in it, as if trying to find something, like a sense of identity. However, the artist writes: “Maybe all I want to say is that I was once a brother.”
Open: Everyday 10 am - 5 pm
Artists' Talk: 31 October 2:30 pm
An Exhibition series by Neil Martinson
Neil Martinson is a documentary photographer whose work vividly captures the nuances of urban life, often focusing on underrepresented communities. For the past six years, the artist has been working on Hackney: An Incomplete History, a project which connects the Hackney's past and present. Through this exhibition series, Martinson explores the meaning of place, memory, and identity over half a century of profound social, political and technological changes.

9 September – 1 November 2026
Chats Palace
42 - 44 Brooksby's Walk,
London E9 6DF
Open Wed, Thu, Fri, and Sun 11 am - 3 pm

28 September – 8 November 2026
Hackney Downs Studios
17 Amhurst Terrace,
London E8 2BT
Open everyday 10 am - 6 pm

28 September – 8 November 2026
Tin Cafe
1 Middleton Rd,
London E8 4BL
Open Mon - Fri 7 am - 6 pm, Saturday 9 am - 6 pm, and Sunday 10 am - 4 pm

5 October – 2 November 2026
Riverside Cafe
The Lodge, Spring Hill
London E5 9BL
Open everyday 9 am - 4:30 pm

October 2026
Kingfisher Cafe
69 Kingsland High St,
London E8 2JS
Open Mon - Sat 6:30 am - 4 pm

Permanent display
Cafe Z
58 Stoke Newington High St,
London N16 7PB
Open everyday 7 am - 6:30 pm